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Evel Knievel (1971 film)
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Wikipedia article
'Evel Knievel' is a 1971 American biographical film starring George Hamilton as motorcycle daredevil Evel Knievel.
Plot
The story is a biography, with fictionalized events, of the famed motorcycle daredevil, who grew up in Butte, Montana. The film depicts Knievel reflecting on major events in his life, particularly his relationship with his girlfriend/wife, Linda. The film opens with Knievel (Hamilton) at the Ontario Motor Speedway in Ontario, California. Knievel is speaking directly to the camera describing his upcoming daredevil motorcycle jump:
Following his introduction, the story follows a flashback narrative through Knievel's life.
The film ends with Knievel successfully completing the February 1971 jump at the Ontario Motor Speedway (129 feet) and riding off onto a dirt road which leads to the edge of the Grand Canyon (at the time of production, Evel Knievel was hyping a jump over the Grand Canyon, a jump which never got beyond the early planning stage).
Monologue
As the movie closes over the Grand Canyon, George Hamilton delivers a voice-over monologue in the Knievel character. In the monologue, he describes himself as the "last gladiator", which would later be used by the real Evel Knievel in his 1998 documentary, 'The Last of the Gladiators'.
Below is a transcript of the monologue from the movie:
Cast
* George Hamilton as Evel Knievel
* Sue Lyon as Linda Knievel
* Bert Freed as Doc Kincaid
* Rod Cameron as Charlie Knesson
* Dub Taylor as Turquoise Smith
* Ron Masak as Pete
* Hal Baylor as The Sheriff
* Cheryl Smith as Girl Buying Ticket At Rodeo (uncredited, Smith's feature film debut.)
Production
Development
George Hamilton was writing a screenplay about a bronco rider who became a motorcycle rider. While preparing to film it, he interviewed various stunt men for the lead role and learned about Knievel. Hamilton visited Knievel in a San Francisco hospital and found Knievel's story more fascinating than what he was writing. In December 1969 he announced he was working on a film about Knievel."Film on Evel Knievel Slated", 'Los Angeles Times', December 3, 1969: j21. In February 1970, Hamilton stated that:In America we've long had a theory that all men have an equal right to become everything they want. But there's a new theory being pushed on us that every man has to be something whether he wants to or not. That's what the theory of Evil Knievel is about. He's an individual who doesn't care about establishment or hippie, both have their phony sides. I'm not sure why Evil does what he does on a motorcycle. But I do know that by the time the picture is finished I'll be able to say it in one sentence.
The screenplay was originally written by Alan Caillou who had written the screenplay for Jack Starrett's 'The Losers' also for Joe Solomon's Fanfare Films. However George Hamilton was not happy with it. He offered to pay John Milius $5,000 to write some lines in the script. Milius says he went to Hamilton's home at Palm Springs to read the script "and it was terrible. So I threw the script in the pool and beat on it with an oar. And of course the script was waterlogged, so I just wrote another one. He later told me he knew that if I got down there with that script I'd write another one."Segaloff, Nat, "John Milius: The Good Fights", 'Backstory 4: Interviews with Screenwriters of the 1970s and 1980s', Ed. Patrick McGilligan, Uni of California 2006 p 289
Milius says Knievel "saw himself as the new gladiator of the new Rome, something larger than a daredevil. He saw the whole spectacle of civilization and the absurdity of what it's turned into, and he fit into that."
Milius later called Hamilton "a wonderful guy, totally underrated. A great con-man, that's what he really is. He always said, 'I'll be remembered as a third-rate actor when in fact, I'm a first-rate con man'."
Hamilton later recalled:
Milius made me read the script to Evel. I realized he was kind of a sociopath and was totally messed. Then all of sudden Evel started to adopt lines out of the movie for himself. So his persona in the movie became more of his persona in real life. He would have been every kid's hero on one hand, but then he went and took that baseball bat and broke that guy's arm and that finished his career in the toy business. Evel was very, very difficult and he was jealous of anybody that was gonna play him. He wanted to portray himself and he did go and make his own movie later on. He had a great perception of this warrior that he thought he was and that was good. Then he had this other side of himself where hed turn on you in a minute. Success is something that you have earn. You have to have a humility for it, because it can leave you in a second. It may remember you but it can sure leave you. I think if you dont get that and you dont have gratitude for what you are and where you are it doesnt come back and it goes away forever.[http://www.popentertainment.com/georgehamilton.htm Interview with George Hamilton at Pop Entertainment] accessed 23 December 2014
Shooting
The picture was directed by Marvin J. Chomsky and was released on September 10, 1971.Much of the film was shot in Butte, Montana. Actual footage of Knievel jumping his motorcycle was used throughout the film. Additionally, Knievel performed a series of new jumps at the Ontario Motor Speedway for the production, including a spectacular record jump of 129 feet over 19 cars that was included in the film (Knievel held the record for jumping a Harley-Davidson motorcycle over 19 cars for 27 years, until broken by Bubba Blackwell in 1998). Knievel received a flat rate of $25,000 for his rights and the consulting fee.'Life of Evel Knievel', S. Baker, St. Martin's Press, 2008
In 1973 Milius said he preferred the film "to the other movies from my scripts. They didn't restrain it or tone it down, they shot the script. The guy is just as obnoxious and full of hot air as he was in the script. Just as full of life and vitality too. He's Evel Knievel! He wouldn't take a dime off of anybody."
The music is conducted by Patrick Williams. The title song, "I Do What I Please", is played throughout the film, including the opening and closing credits, and the montage of the real Evel Knievel's stunt riding.
See also
* List of American films of 1971
References
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